Charles TALBOT AND ALAN SHESTAK

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Edmund P. PILLSBURY AND LOUISE S. RICHARDS

THE GRAPHIC ART OF FEDERICO BAROCCI

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Caroline KARPINSKI

ITALIAN PRINTMAKING FIFTEENTH AND SIXTEENTH CENTURIES - AN ANNOTATED B

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COLNAGHI & CO.

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Walter KOSCHATZKY

ZWISCHEN RENAISSANCE UND BAROCK - DAS ZEITALTER VON BRUEGEL UND BELLAN

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Salvador Rosa KOEHLER

A CHRONOLOGICAL CATALOGUE OF THE ENGRAVINGS, DRYPOINTS AND ETCHINGS OF

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Julius S. HELD ET AL

DURER THROUGH OTHER EYES - HIS GRAPHIC WORK MIRRORED IN COPIES AND

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Peter STREIDER

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James CUNO ET AL

TWO EXHIBITIONS - HARVARD UNIVERSITY MUSEUMS BULLETIN

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Marjorie COHN

ALBRECHT DURER 1471-1528 - A SELECTION FROM HIS PRINTS

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Leslie BAIR ET AL

THE SPREAD OF DURER'S WOODCUT STYLE

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Vicki C. WRIGHT ET AL

THE SIMPLE ART - PRINTED IMAGES IN AN AGE OF MAGNIFICENCE

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Andrew C. WEISLOGEL

L'EMPREINTE DE HISTOIRE: THE ORIGINS OF FRENCH PRINTMAKING 1475-1550

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Alan SHESTACK

MASTER E. S. - FIVE HUNDREDTH ANNIVERSARY EXHIBITION

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J. P. Filedt KOK

THE MASTER OF THE AMSTERDAM CABINET, OR THE HOUSEBOOK MASTER CA.1470-

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Evelyn LINCOLN

THE INVENTION OF THE ITALIAN RENAISSANCE PRINTMAKER

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Richard FIELD

FIFTEENTH CENTURY WOODCUTS AND OTHER RELIEF PRINTS IN THE COLLECTION O

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N. G. STOGDON

GERMAN AND NETHERLANDISH WOODCUTS OF THE 15TH AND 16TH CENTURIES

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Andrew C. WEISLOGEL

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Roger E. STODDARD ET AL

GAZETTE OF THE GROLIER CLUB, NEW SERIES, NUMBER 38, 1986

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Antony GRIFFITHS AND CRAIG HARTLEY

JACQUES BELLANGE C. 1575-1616 PRINTMAKER OF LORRAINE

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N. G. STOGDON

ETCHINGS BY REMBRANDT FROM THE COLLECTIION OF FELIX SOMARY

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Nadine M. ORENSTEIN AND TOM RASSEUR

SCRATCHES, SPECKLING AND CROOKED LETTERING: REMBRANDT'S MESSY AESTHETI

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Christopher MENDEZ

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